Understandings of Mortality

One topic that has my interest to potentially cover with my solo performance in the concept of mortality. Primarily this was inspired by the idea that you cannot take anything with you once you die coupled with various injustices in the world for the sake of money. Whilst I know that my performance is on a very small scale I feel as though these two topics are ones I would like to address together.

Beyond my initial idea I felt like I could involve the ways in which death and mortality is dealt with in various cultures. In particular I felt as though Mexican culture and the Mexican day of the dead would provide for visually interesting performance. Laurie Anderson, who I had previously looked into concerning holograms, had also done a performance partly inspired from the Tibetan book of the Dead called Forty-Nine Days in the Bardo. Fitting with other works by Anderson it was a multimedia experience, and explores themes around Death including  love, dreams and illusion. Taking this as a source of inspiration for my performance feels a good starting point, as I am looking to include technology use in a similar way to Anderson and address similar themes.

C

 

As the performance date falls close to my Birthday it could make it seem more personal, and address milestones as you grow old. One potential topic to address with birthdays is how they evoke excitement as a child, become milestones for teenagers and young adults, and then begin to mark growing ‘old’ and can become less eagerly anticipated. Another element concerning mortality to potentially use in the performance would be stories from my Grandfather’s life. He passed away in early 2015, but had lived an extraordinary life and using the style of David Cale I think I could use various parts of his life in my performance. By using the style of David Cale I mean in the sense of his inspiration, where he uses things that are close to him but have not necessarily happened to him, in a way that is personal rather than autobiographical. From these potential topics I believe the next course of action is to a little research into both the Tibetan book of the Dead and the Mexican day of the Dead, in addition to other cultures views on death. From these elements I can further work on a performance, and potentially link these ideas to the use of holograms that I looked into with Laurie Anderson.

About Education (2015) Day of the Dead [Picture] Available from: http://spanish.about.com/cs/culture/a/dayofdead.htm [Accessed 23 May 2016]

Fabric Workshop and Museum (2011) Laurie Anderson: Forty-Nine Days in the Bardo. Philadelphia. Available from: http://www.fabricworkshopandmuseum.org/Exhibitions/ExhibitionDetail.aspx?ExhibitionId=2eb43448-5bab-4d9b-a9dd-247d53079d43  [Accessed 23 May 2016]

 

Projections, Holograms and Telepresence

After a brief presentation giving an overview of the performer Laurie Anderson, further research into her work has provided some interesting ideas concerning the use of projection in performance. Whilst a lot of her work is highly focused around sound and music, she has made several interesting pieces using projectors to create, as Anderson has called them, ‘a fake hologram’ (Goldberg, Laurie Anderson 54). By projecting the image of a person onto a sculpted model it gives the impression of a person.

Image from Dal Vivo                          Sculpture

Pictured is Anderson’s piece Dal Vivo where a live stream of a prisoner named Santino was projected onto a life sized sculpture. Whilst he sat in his cell he was filmed and projected several miles to the Prada Foundation in Milan. What makes this piece more than a simple feat of sculpting and projection is the idea that this ‘person’ in the gallery shouldn’t be there, yet is. As a man deemed unfit to be a part of society he is kept imprisoned, but he is simultaneously free, to an extent, in the gallery space. Personally I find the blend of technology and theoretical concept exceptionally interesting and if possible it might be something I take inspiration from technically for my performance. I like the idea of projections being used as they are technically impressive and can create interesting connotations.

One possible idea to work with would be to project a speaking image of myself onto my static body. It could potentially present the difference between the exterior persona that we hold within society compared to our interior selves. However as yet I am not sure where to further take this idea. Currently I do not know what further topics or content to include in the performance or whether it would be fully possible to create a hologram with the technology available in the Lpac studios.

 

Goldberg, R.(2000) Laurie Anderson. London, Thames & Hudson

Chua, E.  (2006) Figure 2: Image from Dal Vivo [Picture] Available from: http://pmc.iath.virginia.edu/issue.106/16.2chua.html [Accessed 19 February 2016]

Chua, E.  (2006) Figure 3: Image from Dal Vivo [Picture] Available from: http://pmc.iath.virginia.edu/issue.106/16.2chua.html [Accessed 19 February 2016]